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Keywords: Structural safety; Masonry; Conservation; Failures; Case reports. Dr. Frame 2D software

Keywords: Phonology, Mithila-Maithili, English, interference, consonants, vowels, pronunciation, intelligible.

Keywords: Tourism, COVID 19, recovery, innovative banking.

This paper aims at enriching the debate on aesthetics properties on the Chhau-Na?cha (dance) of Odisha. This traditional Chhau- Na?cha mostly based on the Ra?sa theory i.e., Vira (Heroic); and its old age tradition belonging to canons of Na?tyas?a?stra in rhythmic way. Man requires artistic skill to express his thought but proper modulation of artistic representation is necessary to make expressed thought precise and distinct. One performer could represent him/her in the way of demonstrate in the form of art i.e., dance or Na?cha/Na?ta. Dance consists of certain movements, certain prescribed gestures and postures of the body which are more capable of giving expression to human thought, than even language. Communication of thought through dance is even a better guide of human thought than through language. In Odisha the performance dance its related music, dramatic thought, is as old like its history. Numerous forms of histrionic arts which are deeply and intimately associated with the life of the people were evolved, natured and put into practice and then left to the posterity either to retain or forget. Through the passage of time many terms are must have perished away. All the form of art can survive only proper patronage but these are not possible every time and space. Chhau dance is basically a virile dance which demonstrates vim and vigour. It reflects a culture of strength with aesthetics.

Keywords: region, trend, practises, ritual, folk dance, anthropological methods, theory of Rasa

This study examines the activities of Dr. Nakamura Tetsu—a humanitarian who served many years in Afghanistan, initially as a physician and eventually as the supervisor of a canal-building project. The project commenced in 2002 and restored greenery in areas affected by the Central Asian drought of 2000, which drove farmers away from their land to become refugees or mercenaries in armed conflicts. Nakamura thus addressed the root cause of the country’s worsening security situation and defied the following parameter of post-9/11 international aid to Afghanistan, colored by the US-led “War on Terror” stabilization agenda; this agenda was a futile attempt to bring the “backward” country into the light of a market economy and democracy, consistent with the liberal peace paradigm. In this study, the notion of “pure experience” propounded by philosopher Nishida Kitaro is drawn on to describe how Nakamura led his team to forge “productive” international–local relations—the mainstay of the local turn that has gained acclaim as an alternative to the liberal peace paradigm proliferating externally driven interventions. Nishida’s philosophy facilitates the explication of how Nakamura worked constructively with the people to turn the Afghan desert green, while arriving at a profound understanding of the on-the-ground realities.

???????Keywords: Afghan reconstruction; global warming; international aid; local turn; pure experience

Keywords: Input, crops, farm-size, Bhopal District